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Babson College
Public Relations
Babson Park, MA
02457-0310
Tel: 781-239-4548

Contact:
Nancy Sullivan
781-239-4623
sullivann@babson.edu

Release Date: 9/08/2009

Babson Art Exhibit “STITCH” September 16 - October 15, 2009

Babson Art Exhibit “STITCH” September 16 - October 15, 2009

 

A Site Specific Installation by August Ventimiglia

      

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What:        The Sorenson Center for the Arts at Babson College presents Stitch

 

Who:         New Work by August Ventimiglia  

 

When:       Exhibit: September 16- October 15, 2009

                  Hours: 9:00 am-7:00 p.m., Monday – Friday

                  Artists’ Talk: Wednesday, September 16, 4:30 p.m.      

                  Opening Reception: Wednesday, September 16, 5:00-7:00 p.m.

 

Where:      Babson, College, Hollister Hall, Main Lobby

 

Info:          Contact guest curator Beth Kantrowitz, at 617-835-8255; or visit www.bkartprojects.com for more information.

With Stitch and Rift I and Rift II, August Ventimiglia presents three new works that consider the twin forces of bringing together and breaking apart in the built environment. 

A large-scale wall drawing created in the Holliston Lobby, Stitch consists of five equidistant 38-inch horizontal line segments drawn along a continuous path, as if “stitched” across the span of a thirty-foot long wall. Using a snap-line, a common carpentry tool, Ventimiglia creates both a precise horizontal line and a heavily textured field of blue chalk as the dry dust is cast away by the percussive action of the snapped line.  While the chalked string always remains on the flat plane of the impermeable wall as the drawing is constructed, the resulting image creates the illusion of a surface pierced by a blue thread.

 

Rift I and Rift II are sculptures of smoothed, dry plaster over wooden forms. The abrupt action of breaking the masses in two creates a sharp-edged fissure that reveals a delicate and complex edge along the fault-line of the break. In the Rift sculptures, Ventimiglia interacts with his materials via a physical gesture that controls the action of making the work, a gesture that results in fragile, unpredictable works of art.



  
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